“Tell me what music you listen to, and I’ll tell you who you are” was among the principles that served as a blueprint, starting-point and road-map for the look and feel of the campaign and for the subsequent implementation of Das Neue Kubitscheck (The New Kubitscheck).
Cafe owner, Armin Stegbauer’s aim is to free cakes and gateaux from their years of imprisonment behind the bars of crocheted doilies, cologne and dusty Sunday tradition. Stegbauer, saviour of Cafe Kubitscheck in Waldfriedhofstrasse, a traditional Munich confectioner’s from the 1950s, has made it his goal to revamp the confectioner’s tradition for the modern age. But not without taking on board some endearing aspects of Germany’s confectionery culture that are worthy of preservation.
Das Neue Kubitscheck, Munich, Germany, by designliga
germany Archive
Jackie Su Restaurant Interior by RAUMINRAUM
German design studio RAUMINRAUM designed the interior of the Jackie Su Thai restaurant in Bremen, Germany.
The Jackie Su Thai restaurant was designed with the asian street kitchen character into a contemporary and clear interior architecture. The Jackie Su Thai restaurant interior was features a High fair-faced concrete walls with the artwork presenting a smiling Jackie Su, bright red Asian characters as well as the large suspended acoustic ceilings and unclad air-conditioning ducts emphasise the urban ambience. So, if you are looking for an oriental atmosphere for lunch in bremen city, Jackie Su Thai restaurant is the perfect destination.
The Otto Bock Building by Gnädinger Architects
Gnädinger Architects have completed the Otto Bock building in Berlin, Germany.
The building was designed for the Otto Bock HealthCare company, a world leader in prosthetics and orthotics. The organic-dynamic design of the six-storey building is based on the principles of nature – as a model of harmony between technology and people. The facade bands have modeled the structure of muscle fibers that encircle the building structure in soft form. The “soft” appearance, combined with a unique facade media production, is an open, friendly and accessible institution, and thus contributes to the image building of the company.
Visit the website of Gnädinger Architects – here.
Rainbow Stairs
VitraHaus by Herzog & de Meuron
Check out the completed VitraHaus project designed by architects Herzog & de Meuron, located at the Vitra Campus at Weil am Rhein in Germany.VitraHaus
Over the past few years Vitra has aquired a wide-ranging Home Collection. The quantity and variety of objects by many different designers led to the idea of building a showroom to present the items to the public. There would also be additional space to be used as an exhibition venue for selected parts of the collection or even as an extension of the Vitra Museum itself. A shop, a cafe linked to the outside and conference rooms complete the program.
The “VitraHaus“ is a direct, architectural rendition of the ur-type of house, as found in the immediate vicinity of Vitra and, indeed, all over the world. The products that will be on display are designed primarily for the private home and, as such, should not be presented in the neutral atmosphere of the conventional hall or museum but rather in an environment suited to their character and use.
By stacking, extruding and pressing – mechanical procedures used in industrial production – simply shaped houses become complex configurations in space, where outside and inside merge. The interior is designed as a spatial sequence with surprising transitions and views of the landscape. The landscape in all its variety – the idyllic Tüllinger Hills, the broad expanse of the railroad tracks, and the urbanized plane of the Rhine – was the incentive to design a building that concentrates on the vertical. In contrast to the other buildings on the Vitra Campus, an essential component of the design involved drawing the outdoors inside.
The anticipated increase in visitors – not only individuals but also many schools and other groups – gave added importance to benches, niches, covered waiting zones and entries. These areas for sitting, standing, waiting, and looking are stamped or cut out of the shape of the houses through simple mechanical manipulations. Given the large number of design objects on view inside, all of these areas are conceived as an integral part of the architecture and not as self-contained objects.
Herzog & de Meuron, 2006































































































