Office Archive

Metal Tiles by Karim Rashid for ALLOY

Karim Rashid has designed a collection of metal tiles for the Australian manufacturer ALLOY.

Karim Rashid says:

I have always been obsessed with patterns. Working with ALLOY has given me a great opportunity to play with the idea of pattern, grid, and repetition. A pattern is a way of giving richness and depth to our Cartesian landscape. The more diversity of line, shape, and composition, the more interesting a single cell is. The undulating, curvilinear forms give a 2-dimensional surface a sense of 3-dimensions. These elements repeat in a predictable manner but they are designed to contradict the square tile. This collection for ALLOY is organic in shape because I believe that the world needs a softening and a more fluid human spirit.

Art Warehouse in Boeotia by A31 Architecture

A31 Architecture have designed a workshop for an artist in Boeotia, Greece.

Description from the architects:

Between olive, oleander and cypress trees, in a 4000 m2 plot and a few meters away from his dwelling in Dilesi, Boeotia, the ancient Delion, the erection of the new workshop of painter and sculptor Alexandros Liapis was determined. A part of the landscape was incorporated in the open-space sculpture gallery, hosting the artist’s creations. The basic criteria of the new structure’s synthesis were: the economy of its realization means, its construction honesty and discipline, its plasticity which would converse with the spirit of the Greek landscape. The new structure is a shell comprised of fair-faced reinforced concrete, completed in three separate phases. The dome, a timeless and interregional architectural coronation element spanning from antiquity to Modernism, interacts with the intimate space of the artist’s house, the “cell”.

The new structure is located in the North-South axis, while the orthogonal plan view is divided into 3 zones: Firstly, the cantilever with the balcony in the South, where the entrance is situated, secondly, the artist’s workspace and finally the attic in the North which serves as a storage space. A straight staircase connects the two levels, while the cantilevered concrete steps can serve as exhibition stands for the artist’s work. The wall openings, which relate to the Sun’s trajectory, the interior lighting and the ventilation, stem from transverse horizontal sections in the building shell. The sliced concrete blocks that are removed now function as benches for people and pedestals for sculptures.

The MILK Desk

It’s about time that desks started matching the desktops that sit on top of them. The Milk Desk is the first desk we’ve seen that is as smartly designed as the computers we use. Its oversized 140 x 80cm top houses cable exits, a cable drawer, an integrated front file, and four modular square spaces that can be used as garbage bins, pencil holders, an iPod drawer with in-desk cable routing, and even as an aquarium. The desk also has an electronic base to raise or lower the desk depending on whether you choose to sit or stand. All-in-all, one of the most badass desks we’ve ever seen.

Cubes by Atelier 37.2

Made of steel and wood, these architectural creations are cool cubed, designed as mobile spaces for work, play and storage for a photography studio. The modular possibilities would make these fun to arrange in a large loft space, giving occupants distinct spaces for specific tasks when all you have is one large room to work with.


Macquarie Bank headquarters, One Shelley Street – Alive Wilkinson Architects

Macquarie Bank headquarters, One Shelley Street – Alive Wilkinson Architects

One Shelley Street is an effort to reframe the requirements and performance of the 21st Century office. On behalf of the Macquarie Group, Clive Wilkinson Architects implemented a radical, large-scale workplace design that leverages mobility, transparency, multiple tailor-made work settings, destination work plazas, follow-me technology, and carbon neutral systems. The result is part space station, part cathedral, and part vertical Greek village.

source: Clive Wilkinson Architects

Modern Architecture: Tower Grows Its Own Skin

Conceptualized by California-based architecture firm Faulders Studio, GEOtube is a new kind of urban sculptural tower proposed for Dubai that uses salt water to grow its own skin.

The building sucks up water from the Persian Gulf (the source of the world’s saltiest ocean water) through a 3 mile (4.62 km) underground pipeline, and then sprays it over a mesh facade. As the water evaporates and salt deposits aggregate over time, the tower’s appearance transforms from a transparent skin to a highly visible white solid plane. The result is a specialized habitat that provides an accessible surface to harvest salt.

The Otto Bock Building by Gnädinger Architects

Gnädinger Architects have completed the Otto Bock building in Berlin, Germany.

The building was designed for the Otto Bock HealthCare company, a world leader in prosthetics and orthotics. The organic-dynamic design of the six-storey building is based on the principles of nature – as a model of harmony between technology and people. The facade bands have modeled the structure of muscle fibers that encircle the building structure in soft form. The “soft” appearance, combined with a unique facade media production, is an open, friendly and accessible institution, and thus contributes to the image building of the company.

Visit the website of Gnädinger Architects – here.