Architecture Archive

Metal Tiles by Karim Rashid for ALLOY

Karim Rashid has designed a collection of metal tiles for the Australian manufacturer ALLOY.

Karim Rashid says:

I have always been obsessed with patterns. Working with ALLOY has given me a great opportunity to play with the idea of pattern, grid, and repetition. A pattern is a way of giving richness and depth to our Cartesian landscape. The more diversity of line, shape, and composition, the more interesting a single cell is. The undulating, curvilinear forms give a 2-dimensional surface a sense of 3-dimensions. These elements repeat in a predictable manner but they are designed to contradict the square tile. This collection for ALLOY is organic in shape because I believe that the world needs a softening and a more fluid human spirit.

Mirrorcube by Tham & Videgard Architects

If you’re in Sweden, check out the Mirror Cube, part of the Tree Hotel in Harads. The structure consists of light-weight aluminium and mirrored glass hung around a tree trunk. (I know what you’re thinking: “Won’t birds crash into the nearly invisible building??”) Fortunately, steps were taken to prevent wildlife from crashing into the treehouse by applying transparent ultraviolet colour visible for birds only, into the glass panes. See more@ TVARK

Das Neue Kubitscheck by designliga

“Tell me what music you listen to, and I’ll tell you who you are” was among the principles that served as a blueprint, starting-point and road-map for the look and feel of the campaign and for the subsequent implementation of Das Neue Kubitscheck (The New Kubitscheck).
Cafe owner, Armin Stegbauer’s aim is to free cakes and gateaux from their years of imprisonment behind the bars of crocheted doilies, cologne and dusty Sunday tradition. Stegbauer, saviour of Cafe Kubitscheck in Waldfriedhofstrasse, a traditional Munich confectioner’s from the 1950s, has made it his goal to revamp the confectioner’s tradition for the modern age. But not without taking on board some endearing aspects of Germany’s confectionery culture that are worthy of preservation.
Das Neue Kubitscheck, Munich, Germany, by designliga

The Longest Bench by Studio Weave

Designers Studio Weave have installed a meandering 324 metre-long bench on the seafront at Littlehampton in the UK.

The longest bench in Britain was opened to the public in Littlehampton, West Sussex on the 30th July 2010.

The bench seats over 300 people along Littlehampton’s promenade, overlooking the town’s award-winning Blue Flag beach. Designed by Studio Weave, the structure sinuously travels along the promenade, meandering around lampposts, bending behind bins, and ducking down into the ground to allow access between the beach and the Green. Like a seaside boardwalk the Longest Bench rests gently on its habitat and adapts to its surroundings while like a charm bracelet it connects and defines the promenade as a whole, underlining it as a collection of special places that can be added to throughout its lifetime.

Accompanying the long bench are two bronze-finished steel monocoque loops that connect the promenade with the green behind it. As the bench arrives inside the twisting loops it goes a little bit haywire, bouncing of the walls and ceiling creating seats and openings. The loop contains the haywire stretch of bench and frames the views each way.

The project was initiated by Littlehampton residents and entrepreneurs Jane Wood and Sophie Murray, the mother and daughter pair responsible for the East and West Beach Cafés. An integral part of Sir Terry Farrell’s Waterfront Strategy for Littlehampton, the Longest Bench joins Jane Wood’s ongoing contributions to the town’s regeneration.

To inspire and develop the project, Studio Weave worked with pupils from Connaught Junior School who explored what makes Littlehampton’s seaside unique and offered insightful ideas including the bright colour pallet and dynamic shelters.

The design allows the landmark bench to keep growing up to at least 621m, seating over 800 and putting Littlehampton in the record books. The first phase was funded through a £450,000 grant from the Sea Change Programme run by the Commission for Architecture and the Built Environment (CABE), which aims to help the regeneration of seaside towns.

A generous private donation of £100,000 was also made by Gordon Roddick as a tribute to his late wife Anita. Anita and Gordon started the Body Shop in Littlehampton and the head office is located in the town.

Mr Roddick said “Anita loved Littlehampton and was very keen to do whatever she could to help raise the profile of the town. She was fully supportive of the idea for the bench and would be delighted to see it.”

More than 200 of the timber slats have been engraved with personal messages of dedication by local residents and businesses.

MATERIALS

The bench is made from thousands of tropical hardwood slats. The timber is 100% reclaimed from sources including old seaside groynes and rescued from landfill. Tropical hardwoods are some of the most robust and long lasting timbers in the world and they have a proven track record in marine environments. The bench uses more than a dozen different species arranged to express the natural variation in colour and tone from pale blonds to warm pinks and rich browns.

The beautiful variety of reclaimed timbers are interspersed with splashes of bright colour wherever the bench wiggles, bends or dips. The coloured bars are made from stainless steel box sections dipped in Nylon-11, a polymer enamel. The brightly coloured bars are arranged to create a subtly changing colour scheme from pink, yellow and orange at the east end to purple, blue and green at the west.

The support structure for the bench is made from stainless steel, a 100% recyclable and on average 70% recycled material (Steel Construction Institute).

The two shelters are steel monocoque structures spray coated with Aluminium Bronze which gives them their golden finish. Over time, the bronze shelters will settle into their coastal environment naturally gathering salt streaks and verdigris on the more exposed areas while maintaining a warm golden glow inside.

FUNDING AND SUPPORT

The first phase was funded through a £450,000 grant from the Sea Change Programme run by the Commission for Architecture and the Built Environment (CABE), which aims to help the regeneration of seaside towns.

A generous private donation of £100,000 was also made by Gordon Roddick as a tribute to his late wife Anita. Anita and Gordon started the Body Shop in Littlehampton and the head office is located in the town

Art Warehouse in Boeotia by A31 Architecture

A31 Architecture have designed a workshop for an artist in Boeotia, Greece.

Description from the architects:

Between olive, oleander and cypress trees, in a 4000 m2 plot and a few meters away from his dwelling in Dilesi, Boeotia, the ancient Delion, the erection of the new workshop of painter and sculptor Alexandros Liapis was determined. A part of the landscape was incorporated in the open-space sculpture gallery, hosting the artist’s creations. The basic criteria of the new structure’s synthesis were: the economy of its realization means, its construction honesty and discipline, its plasticity which would converse with the spirit of the Greek landscape. The new structure is a shell comprised of fair-faced reinforced concrete, completed in three separate phases. The dome, a timeless and interregional architectural coronation element spanning from antiquity to Modernism, interacts with the intimate space of the artist’s house, the “cell”.

The new structure is located in the North-South axis, while the orthogonal plan view is divided into 3 zones: Firstly, the cantilever with the balcony in the South, where the entrance is situated, secondly, the artist’s workspace and finally the attic in the North which serves as a storage space. A straight staircase connects the two levels, while the cantilevered concrete steps can serve as exhibition stands for the artist’s work. The wall openings, which relate to the Sun’s trajectory, the interior lighting and the ventilation, stem from transverse horizontal sections in the building shell. The sliced concrete blocks that are removed now function as benches for people and pedestals for sculptures.

The Tangga House in Singapore by Guz Architects

Description from Guz Architects:

The house is a contemporary interpretation of a traditional courtyard house, laid out around a central green courtyard with a double height stair and entry area forming the focal point of the project. The L-shaped plan creates open spaces which encourage natural ventilation and offer resident’s views over the courtyard to the verandah, roof gardens and beyond. Lushly planted roof gardens surround the house and add to the effect that nature is evident in every part of the house. The large roof above the courtyard creates an indoor and outdoor space leading to the gardens and swimming pool which wraps around two sides of the house. The tangga house hopefully gives the owners the opportunity  to live in harmony and comfort with nature, in singapores hot tropical climate. [via Contemporist]

Superbude Hotel in Hamburg by Dreimeta

Armin Fischer of the Augsburg, Germany-based studio Dreimeta, designed the Superbude Hotel in Hamburg, Germany.

Description from the Superbude Hotel in Hamburg:

At Superbude – a totally new hotel concept – you’re staying with friends and living in a hotel. Anybody who checks in here is visitor and visited, guest and host, admirer and admired, all in one. The design idea dreamed up by 3Meta is to work with materials and objects which are totally different in purpose and thereby create a weird and wonderful new purpose. Sofas have been covered with used jeans, kitchen sinks made out of seamen’s chests, and old water pipes have been screwed together to create shelves and tables. In consideration of Hamburg as a harbour town, some of the furniture has been made out of pallets and thick ropes. Nordic by nature! This “re-design” represents an answer to the trend of sustainable working methods. The six floors of a former printing house were redesigned to create a long-term home. 74 stylish double and multi-bed rooms invite you to stay a while and relax. One huge community living in shared accommodation with a licence to party all night long – but without the annoying neighbours and no cleaning rota.

There’s nothing left to be seen of the building’s former use because there’s nothing pressing about the Superbude. The design is “laid back” and the motto is “easy going”: the rooms are refreshing, modern, straightforward and honest – good friends can’t fool each other.

But they do everything together. That’s why the highlights at Superbude are to be found in the communal rooms. In the private cinema for example! Who’s going to get the next round of snacks and sweets in at the bottle bar? The victim is quickly established by means of the Wii in the sports room. To watch the evening film, we just lounge about on EuroPallets and Astra beer crates which have been upholstered and transformed into cool furniture. There are loads of such design ideas for your own Superbude at home – free of charge, of course – and for that alone, the visit has been worthwhile.

The 9 Hours Capsule Hotel, Kyoto, Japan

The 9 Hours is the brand new capsule hotel unveiled by Tokyo-based Cubic Corp. Designed in a collaboration with designer Fumie Shibata of Design Studio S, it looks nothing like its predecessors and represents a revolution in the capsule concept.
The Nine Hours Capsule Hotel, Kyoto, Japan, by Fumie Shibata

Allandale House by William O’Brien Jr

Allandale House: A Cabin of Curiosities

Designed by architect William O’Brien Jr. Allandale House is a home designed around an original structure. This project uses the angles and triangular game between the axes, to give a unique ambience. More visual in the following section.

The Cello Bar by Lime Studio

Lime Studio have completed the Cello bar/cafe in Kilkis, Greece.

From the designers:

“The design aimed to expose the height of the space by colouring all the infrastructure of the ceiling. With polished concrete surfaces untreated wood, classic and custom furniture, the space has an industrial yet warm and inviting interior.”